"Demons exist whether you believe in them or not," says the priest at the center of "The Exorcism of Emily Rose." Yes, and you could also say that demons do not exist whether you believe in them or not, because belief by definition stands outside of proof. If you can prove it, you don"t need khổng lồ believe it.
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Such truths are at the center of this intriguing và perplexing movie, which is based on the true story of a priest who was accused of murder after a teenage girl died during an exorcism. If the priest is correct và the girl was possessed by a demon, he is innocent. If the authorities called by the prosecution are correct, she died of psychotic epileptic disorder, & the priest created complications leading khổng lồ her death. If, on the other hand, exorcism theory is correct, drugs given to the girl khổng lồ treat her "disorder" made her immune lớn exorcism and led lớn her death.
The movie is told through flashbacks from a courtroom, where Father Moore (Tom Wilkinson) is on trial. He has been offered a giảm giá (plead guilty to lớn reckless endangerment and do six years of a 12-year sentence), but he refuses it: "I don"t care about my reputation & I"m not afraid of jail. All I care about is telling Emily Rose"s story." His lawyer Erin Bruner (Laura Linney) despairs, và yet admires him for his conviction. She herself does not believe in demons. The prosecutor, Ethan Thomas (Campbell Scott) is a churchgoer & does presumably believe, but lawyers sometimes argue against what they believe lớn be true. That"s their job.
And who is Emily Rose? As played by Jennifer Carpenter in a grueling performance, she is a college student who sees the faces of friends & strangers turn into demonic snarls. Her nightmares are haunting. She speaks in foreign languages. She loses an alarming amount of weight. She calls trang chủ for help, in tears. Her boyfriend can"t reach her. The parish priest, Father Moore, is called in, & determines that an exorcism is indicated.
He has authorization from the archdiocese, but after he is charged with murder the church authorities order him lớn accept plea bargaining & create as little scandal for the church as possible. The church is curiously ambivalent about exorcism. It believes that the devil and his agents can be active in the world, it has a rite of exorcism, and it has exorcists. On the other hand, it is reluctant to lớn certify possessions và authorize exorcisms, và it avoids publicity on the issue. It"s like those supporters of Intelligent kiến thiết who privately believe in a literal interpretation of Genesis, but publicly distance themselves from it because that would undermine their plausibility in the wider world.
What is fascinating about "The Exorcism of Emily Rose" is that it asks a secular institution, the court, to decide a question that hinges on matters the court cannot have an opinion on. Either Emily was possessed by a demon & Father Moore did his best to lớn save her, or she had a psychotic condition & he unwittingly did his best to kill her. The defense and the prosecution mount strong arguments and call persuasive witnesses, but in the over it all comes down lớn the personal beliefs of the jury. A juror who does not believe in demons must find the priest guilty, if perhaps sincere. A juror who does believe in demons must decide if Emily Rose was possessed, or misdiagnosed. In a case like this, during the jury selection, are you qualified or disqualified by believing one way or the other?
The movie takes place in a small town surrounded by a Grant Wood landscape; houses và remote farms crouch in winter fields under a harsh sky. The key relationship is between the priest and his defense attorney. Erin Bruner does not believe in devils, but she believes in Father Moore, and she believes he believes in them. "There are dark forces surrounding this trial," he warns her, suggesting that she herself might be a target of demons. In this and other scenes the movie is studiously neutral on the subject of the priest: He would look, speak and behave exactly the same if he were sane and sincere, or deluded và sincere.
Erin works for a powerful law firm retained by the archdiocese. She wants to be named a partner, but she won"t be if she agrees with Father Moore"s wish to appear on the witness stand; the archdiocese wants lớn make a giảm giá leading to a quick settlement, with no testimony from the priest, & the archdiocese, not the priest, is the client who is paying. Which way does Erin turn? The film is fascinating in the way it makes legal và ethical issues seem as suspenseful as possession và exorcism.
The movie was directed by Scott Derrickson và written by Paul Harris Boardman and Derrickson. The screenplay is intelligent and xuất hiện to occasional refreshing wit, as when prosecutor Ethan Thomas makes an objection lớn one witnesses" speculations about demonology. "On what grounds?" asks the judge (Mary Beth Hurt). "Oh...silliness," he says.
Somehow the movie really never takes off into the riveting fascination we expect in the opening scenes. Maybe it cannot; maybe it is too faithful lớn the issues it raises to exploit them. A movie lượt thích "The Exorcist" is a better film because it"s a more limited one, which accepts demons và exorcists lock, stock & barrel, as its starting point. Certainly they"re good showbiz. A film that keeps an open mind must necessarily lack a slam-dunk conclusion. In the end Emily Rose"s story does get told, although no one can agree about what it means. You didn"t ask, but in my opinion she had psychotic epileptic disorder, but it could have been successfully treated by the psychosomatic effect of exorcism if those drugs hadn"t blocked the process.
Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.